Amy Moore, soprano with Julia Russoniello, Historical Violin perform 3 works by Ralph Vaughan-­Williams: Good-­bye, Fancy’s knell, and With rue my heart is laden at Judith Neilsen’s Phoenix Central Park.

Amy Moore, soprano, performing in concert with Pinchgut Opera, Australia's only company dedicated to presenting operatic masterpieces from the Baroque period.

This concert celebrates beauty and breadth of emotions through music and the human voice. Other companies do the more familiar operas and early music repertoire excellently; Pinchgut helps audiences discover something new.

Amy Moore, soprano, performs a tapestry of nineteen compact commissions from Australian composers playlisted against fragmented miniatures from each of the last 12 centuries with The Song Company in Sydney Opera House.

In a bold attempt to paint the state of the current Australian compositional landscape, each of nineteen (twenty) composers has filled a segment of time with sounds that draw on the rich heritage of The Song Company’s first 35 years and look forward to the countless possibilities of the human voice – using the 163 symbols of the International Phonetic Alphabet and beyond. These nineteen commissions are set against fragments of art music from the last thousand years, and together form a dialogue about the nature of vocal music and the deepest form of musical expression.

Amy Moore, soprano, performs with The Choir of St James’ King St in concert at Phoenix Central Park.

Amazing Grace - John Newton (1725-1807) arranged by Ēriks Ešenvalds (b.1977)

Libera nos, salva nos - John Sheppard (c.1515-1558)

Praise the Lord - Brooke Shelley (b.1975)

O beata et gloriosa trinitas - Giovanni Pierluigi da Palestrina (c.1525-1594)

Steal away - Traditional arranged by Joe Twist (b.1982)

O sacrum convivium - Owen Elsley (b.1993)

Amy Moore, soprano and John Foster, baroque trumpet, perform the music of Scarlatti, Handel, Corbett and Bach